By Victor Bozarth - April 17, 2026
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1932 Washington Quarter with vivid toning.
Click image to enlarge.
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There is an art to appreciation. While many coins might not
“be for me,” so to speak, I can appreciate eye appeal with
most coins in virtually all grades. Remember: circulation
wear symbolizes history! Possibly the most important
aspect of eye appeal is that we are free to like what we like.
If you have experience searching for rare coins, finding that
right coin can be confusing. While I will always recommend
you spend your numismatic dollars on PCGS-graded coins,
the question is what is the “right” coin in a PCGS holder?
Why do some things appeal to us, while others fail to
garner any interest? Sure, there’s the matter of personal
taste, but I’m more curious about how we quantify
“appeal.” Indeed, how do we measure the strength
of the appeal, at least in the numismatic sense?
PCGS revolutionized the coin authentication and
grading sector by quantifying grading standards, thus
standardizing the third-party-graded coin market.
Dealers knew what they had and what they were
either buying or selling. It was a no-brainer!
But, what about eye appeal? Indeed, rare coin dealers
have always paid more for “pretty” coins. As a young
collector, I was always trying to buy colorful U.S.
Commemorative Half Dollars. I quickly realized these
pretty coins have always been in high demand. Many
of the issues are known to have colorful toning. The
more attractive the toning, the larger the premium.
Conversely, what about “blast white” brilliant cartwheel luster?
During decades of rare coin sales, I had dozens of want lists
that specified “brilliant only” or “no toning.” Isn’t stunning
luster appealing, too? You bet! And that is the beauty of
numismatics – that maybe it’s surface quality that makes you
go “WOW!”... Or, perhaps it’s an unusually lustrous example
with an amazing strike. It may even be a coin kissed with every
color in the spectrum that makes you open your pocketbook.
Pragmatically speaking, many dealers promoted “brilliant
only” coins because they could both have a larger potential
supply of a particular coin, as well as having a relatively
homogeneous product that was visually appealing.
Pretty, toned coins are difficult to locate, while brilliant
coins are not so much… At least that’s the situation in
most cases. Some coins are not available in bright-white
brilliant condition in all grades. A good example is the
highly sought-after 1932 Washington Quarter, a firstyear
issue that is most often toned when original.
Regardless, I like both toned and brilliant coins. Yet, in
either case we must ask a couple of questions before making
the purchase. The first question I ask is, “What does the
coin grade?” Then I’ll ponder if the toning is natural (for
colorful coins) or if the coin was dipped (if it’s blast-white).
Prior to the advent of PCGS, these questions were
harder to ascertain answers for. Consider that it was once
common practice for a “slider” (About Uncirculated) coin
to be artificially toned and sold as a higher eye-appeal
uncirculated coin. PCGS grading eliminated much of this
unscrupulousness by weeding out artificial toning and
denoting wear on the labels of encapsulated coins, but the
appeal of the pretty toning wasn’t the culprit. Coins were
often dipped to mimic uncirculated luster on AU coins, too.
When all is said and done, eye appeal is just that. A
coin with eye appeal invites the numismatist to
enjoy the allure of a truly lovely example.
Article provided by PCGS at www.pcgs.com